Ok, here’s the first posting in quite awhile, and it will be brief for now. I freshened my website, and just dropped another new record for February, because it’s my favourite month to do so. This one was recorded from a live performance at The Ship Pub in St. John’s for the monthly Night Music from Sound Symposium. The theme is obviously a chilled ambient one, due to the frigid temperatures and massive snow we’ve had in the area. Lots of randomized arpeggiated synths and granulated shifting over drum loops made for a polyrhythmic frozen feast you’ll let thaw naturally within your earholes. Enjoy, and warm up.
I make music every year, but February’s annual RPM album creation was slightly different for me. After many years, I finally went for a new geographic locale, which is nice. Then there are the thoughts of starting a fresh career direction in life when there’s an apparent recession in the area. So I’ve discovered a few things recently:
- bigger cities are artistically exciting and necessary for weird-scene seekers (yours truly)
- money, earlier not a priority issue for me, is actually really important to extended survival
- at my age, job seeking has become much pickier and more difficult
- the need for specialized skills is immense, and I seem to have the wrong ones, or not quite enough of the right ones
Thus the title and inspiration behind my new release, Future Success Stories. A life in flux is scary business for anybody, but also liberating in its freedom to choose whichever path you wish. I wonder how long before I know where mine leads, and how much debt that requires? Ultimately, artistry is a road to poverty, but I rather enjoy making art because I can’t help myself. So for now I’ll just give you that something I love doing, and deal with figuring out my most desirable day job at a time in the not-so-distant future. What a story. Maybe I’ll make my own.
RPM Challenge 2014 has got to be some of the most prolific work I’ve crafted thus far, but has it been challenging? I did get an early start in February working with Ableton Live and the Launchpad Mini/LaunchControl in set preparation for Prototype 5, which I deemed productive idea creation for the album. There was, however, plenty of downtime for birthdays, family visits, nights out to party, watching the tube, etc. Instead of being stressed about being behind in the recording process, I took time out on a couple of weekdays (mostly in the last week) to finish up some working projects and polish the mixes. I also managed to record a Robot Scout session for RPM submission, too. Does it mean I like to procrastinate until the final possible minute? No, but it does seem to end up close to the wire most of the time. It’s always challenging to create under a deadline, but these days I’ve streamlined the process to make it easier to operate quickly and efficiently. Hence, I can afford to take my time with some things or choose to break from it with the knowledge that it’s simple to come back to. I’ve done the RPM Challenge for a number of years now, and likely would have made yearly records anyway, even if no challenge existed. We make our own challenges, and I consider this one to be more of a necessity. I make art, and that doesn’t change. The challenge is making art you’re happy with. And even though I endorse a certain amount of improvisation in much of my work, it’s satisfying when it sounds composed.